Influence of Shakespeare on Bollywood: A Case Study of Santosh Sivan's Asoka (2001)

Abstract

This research explores the correlation between William Shakespeare's impact on cinema and the traditional Bollywood format, employing Santosh Sivan's Asoka (2001) as a case study. The distinctive theatrical conventions of Bollywood exhibit noteworthy resemblances with Shakespearean plays, presenting a fascinating interplay between the two. The research employs a realistic film approach and Eisenstein's Montage to analyze "Asoka" in comparison to "Hamlet” by Shakespeare. The results reveal a masterly integration of Shakespearean influences, particularly from "Hamlet," into Bollywood conventions, marking a revolutionary cinematic endeavour. "Asoka" serves as a pivotal work in the evolution of Bollywood cinema, pushing the limits of adaptation and interpretation. The fact that there are no direct allusions to Shakespeare in the movie's marketing emphasizes an approach to his authority in the Eastern hemisphere. The cross-cultural depiction of Shakespeare in "Asoka" as partially Indian and partially English showcases a unique blend of cultural elements. Santosh Sivan's innovative approach demonstrates a profound understanding of both Bollywood and Shakespeare, contributing to the continued global reception of Shakespeare and opening new avenues for creative expression in Indian cinema. The research recommends further investigation into Shakespearean influences in Bollywood and Pakistani movies and dramas and promotes a broader understanding of cinematic traditions in a global context.