Revisionist Constructions of National Identity: The Popularity of Ertugrul Ghazi in Pakistan

Authors

  • Sameer Ahmed Assistant Professor, Department of English Language and Literature, GC University, Lahore, Pakistan
  • Umer Basharat Researcher, Department of English Language and Literature, GC University, Lahore, Pakistan
  • Muhammad Ali Lecturer, Department of English Language and Literature, GC University, Lahore, Pakistan

Keywords:

Tele-series, Dirilis, Ertugrul, Pakistan, Historical narratives, Islamic Identity, Post-colonial states, televised invasion, Cultivation theory

Abstract

This research project examines the meteoric rise of the tele-series Dirilis: Ertugrul (2014), released in Pakistan in 2020. It highlights the factors that have contributed to the success of this series by exploring the role of media, historical narratives, and the necessities of Pakistani nationalism that constantly strives to create an Islamic identity for the country. In this respect, we state that while Dirilis: Ertugrul served as a political instrument for the Turkish political party Adalet ve Kalkınma Partisi, it also stimulated tourism in Turkey and garnered cultural appreciation and interest in Ottoman history as a byproduct. While the show was visually appealing to the Pakistani audience, the study will build upon and expand the argument that Pakistanis have always looked for an Islamic identity that comes from outside the country. In this context, Dirilis: Ertugrul acts as a catalyst for a crisis of identity in Pakistan.

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Published

15-11-2023

How to Cite

Sameer Ahmed, Umer Basharat, & Muhammad Ali. (2023). Revisionist Constructions of National Identity: The Popularity of Ertugrul Ghazi in Pakistan. Al-Mahdi Research Journal (MRJ), 5(2), 386–401. Retrieved from https://ojs.mrj.com.pk/index.php/MRJ/article/view/217